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>[28.set.05] Copyright
- UK judge hears testimony in Cuba for copyright case
about Buena Vista Social Club music
Source: Associated Press
WorldStream via NewsEdge Corporation
A British judge on Monday began hearing testimony in
Cuba from elderly musicians and relatives of deceased
composers for a U.S.-Cuban copyright dispute over music
from the Buena Vista Social Club album and film.
Judge John Lindsay had previously been hearing the case
involving rival claims from U.S. and Cuban publishing
companies over rights to the traditional "son"
recordings at London's High Court. He decided to travel
to Cuba after video links to witnesses on the island
broke down, and lawyers for the Cuban side argued it
would be too expensive and difficult to bring frail,
elderly musicians to London. Lindsay has no jurisdiction
as a judge in Cuba but received permission to come as
a "special examiner" to hear testimony, scheduled
to last through Wednesday.
The hearing concerns a test case of 14 songs. Their
five composers are all dead, but lawyers for the Cuban
side say their heirs could benefit from royalty payments.
Relatives as well as musicians, including composer Evelio
Landa, went to the stand Monday in an impromptu tribunal
set up in an old mansion that is now a museum in the
Havana neighborhood of Vedado. "This is a claim
of the heirs, we are the relatives of the (music's)
creators," Ester Corona - the niece of composer
Manuel Corona, who died in 1950 - said before the judge.
Interest in Cuban music surged around the world following
the release of the "Buena Vista Social Club"
album in 1997 and the 1999 film of the same name.
U.S.-based Peer International claims that its copyright
to the songs, dating back to the 1930s, has been unlawfully
taken over by the Cuban government, which came to power
in a 1959 revolution. It is suing a Cuban firm, Termidor
Music Publishers, which sought to register itself in
Britain as the owner of the songs' copyrights.
Publisher Editora Musical de Cuba - which licensed rights
to the music to Termidor - argues the original contracts
are void because they were "unconscionable bargains"
not recognized in law. Peter Prescott, a British lawyer
acting for the Cubans, said in papers filed at court
that many of the composers received only "a few
pesos and maybe a drink of rum" for their work.
Peer International said royalties were paid until the
revolution, when the U.S. trade embargo stopped all
payments to Cuba. A translator and
various advisers helped at Monday's hearing. Neither
Lindsay nor lawyers spoke with the press.
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